Friends of Red Wolf

Collaborating Editors

Daniela Ovi

Film Editor
Daniela Ovi was born in Milano, Italy.
 
After graduating in Communication and Advertising at IULM University she moved to Rome to pursue a career in the movie business.
 
Starting in production, she had the chance to work both on Italian projects such as Ettore Scola’s GENTE DI ROMA and Marco Bellocchio’s BUONGIORNO, NOTTE, as well as American projects such as Lasse Hallström’s CASANOVA.
 
In 2005 Daniela moved to Los Angeles where she eventually chose to focus on the post production side of the process and editorial.
 
She has worked first as post coordinator then as assistant editor on productions such as J.J. Abrams MISSION IMPOSSIBLE 3 and STAR TREK, Quentin Tarantino’s GRINDHOUSE, Judd Apatow’s TRAINWRECK and Ava DuVerne’s COLIN IN BLACK AND WHITE.
 
Since 2019 she has been editing TV shows, such as SIREN for Disney’s Freeform, and feature films such as STATE OF CONSCIOUSNESS by Marcus Stokes.
 
In 2023 Daniela moved back to Firenze, Italy. She is currently finishing AN AUTUMN SUMMER, a feature film by first time director Jared Isaac.
 
Elisa Bonora and Giordano Bonora Groome have most recently welcomed her into the RED WOLF FILMS family and with them she has just completed the upcoming short film BEATA BEATRIX.

Parker Laramie

Film/Video Editor
Parkerlaramie.com
Parker Laramie is an Emmy and Eddie-nominated editor of award-winning and critically acclaimed fiction and non-fiction films, with a focus on social justice and an eye towards documenting unique social milieus. 
 
He collaborates closely with award-winning filmmakers, including KIRBY DICK and AMY ZIERING, LUCY WALKER, PEDRO KOS, ELISA BONORA, JAMES KEACH, and TIMUR BEKMAMBETOV.
 
His work is shown at international film festivals including TELLURIDE, TORONTO, BERLIN, and SUNDANCE and distributed by studios and networks including HBO, NETFLIX, UNIVERSAL STUDIOS, and SONY PICTURES CLASSICS. 
 
In 2021, he edited and co-produced the investigative documentary ALLEN V. FARROW for HBO, which garnered him a PRIMETIME EMMY AWARD NOMINATION. That same year he also edited the dramatic feature film JOCKEY with critically acclaimed filmmakers Clint Bentley and Greg Kwedar. The film was selected to compete in the 2021 SUNDANCE FILM FESTIVAL World Cinema Dramatic Competition, and released by SONY PICTURES CLASSICS.

Over the years, he has also shed light on modern-day slavery in the fishing industry with GHOST FLEET, followed the struggle to find a cure for diseases like Alzheimer's and ALS in THE TURNING POINT and AUGIE, and investigated the history of brain injury in the NFL in REQUIEM FOR A RUNNING BACK.

Zimo Huang

Film/Video Editor
Zimo Huang's website

Zimo Huang is a verteran film editor who has been a notable presence in the Hollywood film industry since mid-2000s.

Throughout these years, he has expertly refined his skills on a wide range of fiction and documentary projects, garnering praise and recognition for his exceptional work.

Zimo met ELISA BONORA early in his career, working as her assistant. Since then they have collaborated on many projects including the documentary film GLEN CAMPBELL...I'LL BE ME. Today Elisa and Zimo are still collaborating on different projects remotely from Los Angeles.

Zimo's other notable editing credits span an array of critically acclaimed films, including feature films "DOMINION," MOSS, 77 DAYS, SPRINTER, and documentary BUFFALO GIRLS.

He also had the privilege of working on the feature film THE TOMORROW MAN, which made its premiere at the prestigious SUNDANCE FILM FESTIVAL in 2019.

Recently, Zimo has expanded his impact on the industry by contributing significantly to various television series on popular streaming platforms like NETFLIX, HBO, and APPLE TV.

His outstanding work on KEVIN HART: DON'T F**K THIS UP was recognized with a PRIMETIME EMMY AWARD NOMINATION in 2021.

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